A Sick and Twisted Tale is Spun in Emerald Fennell's Sophomore Effort 'Saltburn'

Disney Indulges Itself With a Big-Budgeted 'Wish' That Never Comes True

Ridley Scott and Joaquin Phoenix Reteam to Bring a French Leader Back to Life in 'Napoleon'

The Strange and Beautiful World of Bella Baxter Are on Full Display in 'Poor Things'

'The Marvels' Proves Laughter is the Best Medicine for Superhero Fatigue

'Priscilla' Lacks Pizzazz in Sofia Coppola's New Biopic

Paul Giamatti & Alexander Payne Reteam for One of the Best Movies of the Year in 'The Holdovers'

Review: Lily Gladstone Gives Humanity to Inhumane Story in 'Killers of the Flower Moon'

Interview: A Conversation with Christos Nikou, Director of 'Fingernails'

Review: There's No Pill Available to Make 'Pain Hustlers' Bearable

Review: Anna Kendrick's Directorial Debut 'Woman of the Hour' is a True Crime Chiller

Review: 'Quiz Lady' Elevates the Comedy Stylings of Awkwafina and Sandra Oh in Trivial Sibling Story

Review: 'Dumb Money' Invests in its Cast Without Dividends From the Script

Review: 'Fair Play' Shines an Erotic Light on Gender Dynamics in a High-Stakes Corporate Environment

Review: Eve Hewson and Joseph Gordon-Levitt Make Sweet Music Together in 'Flora and Son'

Review: Toby Wallace Dives Into Deep Waters With Ben Foster in Brian Helgeland's 'Finestkind'

Review: Jonathan Glazer's Holocaust Movie is a New Perspective in 'The Zone of Interest'

Review: Netflix's Thriller 'Reptile' Neither Slithers Nor Charms in TIFF Debut

Review: 'Blue Beetle' Battles Evil with Family and Community on its Side

Review: Randall Park Swings For the Fences in Directorial Debut 'Shortcomings'