Review: Anna Kendrick's Directorial Debut 'Woman of the Hour' is a True Crime Chiller
"I always get the girl." There is nothing quite like an actor's directorial debut, especially when the film's premiere takes place at an...
Review: Anna Kendrick's Directorial Debut 'Woman of the Hour' is a True Crime Chiller
Review: 'Quiz Lady' Elevates the Comedy Stylings of Awkwafina and Sandra Oh in Trivial Sibling Story
Review: 'Dumb Money' Invests in its Cast Without Dividends From the Script
Review: 'Fair Play' Shines an Erotic Light on Gender Dynamics in a High-Stakes Corporate Environment
Review: Eve Hewson and Joseph Gordon-Levitt Make Sweet Music Together in 'Flora and Son'
Review: Toby Wallace Dives Into Deep Waters With Ben Foster in Brian Helgeland's 'Finestkind'
Review: Jonathan Glazer's Holocaust Movie is a New Perspective in 'The Zone of Interest'
Review: Netflix's Thriller 'Reptile' Neither Slithers Nor Charms in TIFF Debut
Review: 'Blue Beetle' Battles Evil with Family and Community on its Side
Review: Randall Park Swings For the Fences in Directorial Debut 'Shortcomings'
Review: Tom Cruise Gives Us What We Want in "Mission: Impossible - Dead Reckoning Part One"
Review: "Indiana Jones and the Dial of Destiny" Says Goodbye to One of Film's Greatest Leads
Review: Jennifer Lawrence Bares It All For Comedy in "No Hard Feelings"
Review: "The Flash" Opens the Door For '90s Kids to Rejoice
Review: Pixar Misses the Mark with "Elemental"
Review: Miles Morales Heads Into Uncharted Territory in "Spider-Man: Across the Spider-Verse"
Review: White People Problems Creep Into "You Hurt My Feelings"
Review: Revenge is a Dish Best Served Unhinged in 'Fast X'
Review: 'BlackBerry' Proves Communication Is Not Universal
Review: 'Hypnotic' Fails to Test the Boundaries of Reality